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Yuri Nevsky

This is where my father, Yuri Nevsky, speaks. His stories come from another time, yet they run through me like the same underground river. He shapes life into words; I shape it into cities, interfaces, and a path of my own. Between us lie years, different temperaments, and separate roads. Yet the voice is one — Nevsky, passed from one generation to the next

12 items
Yuri Nevsky
Fire in a village stove and the snow-covered taiga outside the window

Buryat Smoke

The village of Namkhai stands amid the taiga, on the banks of the wilful Tashur River. The novel begins with its land, its water and its distant past, which continues to live alongside its people

First published: 2026Text edition: Baikal, 2026, No. 4
We, Children of the Galaxy

We, Children of the Galaxy

What if Ulan-Ude grew up on the site of a starship crash? Childhood memories, power-grid diagrams, and beloved books help the narrator see his hometown as the trace of a cosmic catastrophe

First published: 2017Text edition: Baikal, 2017, No. 4
King of the Board

King of the Board

After a day in the workshop, the narrator walks through wintry Ulan-Ude in search of a little bottle. His nocturnal odyssey unfolds in glowing little shops amid the cold and drifting snow

First published: 2017Text edition: Baikal, 2017, No. 4
A Furious Ride

A Furious Ride

An artist rides out for supplies for an exhibition, admires the city, and loses his bicycle chain. An ordinary trip between the shop and the workshop turns out to be full of anxieties, temptations, and small victories

First published: 2017Text edition: Baikal, 2017, No. 4
Ulan-Ude Slowpokes

Ulan-Ude Slowpokes

Two strangers help each other run across a road and get talking. Between their stories of Moscow, Gusinoozyorsk, work, and family, an unexpected closeness develops

First published: 2017Text edition: Baikal, 2017, No. 4
In a Faraway Land

In a Faraway Land

Somewhere in a beautiful, faraway country lives the narrator’s mental double: an old house, vineyards, a beloved woman. This imagined life beckons with its ease and its freedom from everyday worries

First published: 2017Text edition: Baikal, 2017, No. 4
The empty auditorium of a Palace of Culture and a worker up near the ceiling among the spotlights

Wild Songs of My People

An appeal to walk more becomes an occasion to remember the roads, people and habits of one’s country. Observations and digressions come together in a conversation about a life that is hard to measure in useful advice

First published: 2014Text edition: Baikal, 2014, No. 5–6
Vladimir Nikolayevich

Vladimir Nikolayevich

The artist Vladimir Nikolayevich paints Baikal, where he has never been, from a friend’s stories and photographs. Generous strokes, an enormous fish, and recognising yourself on someone else’s canvas

First published: 2009Text edition: Baikal, 2009, No. 2
How’s It Going, Dude?

How’s It Going, Dude?

On the road to Monakhovo, a weary traveler finds an abandoned grave. Amid the forest and the hum of mosquitoes, a chance stop sets him thinking about the man who remained here forever

First published: 2009Text edition: Baikal, 2009, No. 2
There Is Only the Forest

There Is Only the Forest

On the commuter train, the narrator notices passengers who board at the same platform. Watching these strangers gradually breaks the monotony of his journey to work

First published: 2008Text edition: Baikal, 2009, No. 2
A man in a worn jacket at a worktable, in the cold light of a window and the warm light of a lamp

In the Gatehouse, in the Park, in the Black Safe…

On the Khuramchir Plateau, the crew of an enormous tractor is laying a road, while a young artist paints sunsets and befriends a captain from another era. Through music, dreams and strange encounters, memories return to him of a world that has vanished

First published: 1991Редакция: «Вдова колдуна», 1991, с. 444–460
Hands holding a dark pouch beside a campfire in the forest

The Secret of Painting with Ancient Colours

Every spring, the narrator’s wife seems to slip out of life. To bring her back, he travels to his grandmother in the northern forests—for ancient colours and knowledge that cannot be learned from books

First published: 1990Редакция: «Время покупать черные перстни», 1990, с. 247–254
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